Coi Mua, is much improved from the previous. He is wiser on choosing tracks that he could fully express. With the help from Duy Cuong, Nguyen Khang reaches deep into the desperation of Trinh Cong Son’s “Toi Oi, Dung Tuyet Vong.” He flows gorgeously into the title track “Coi Mua” written by Le Tran Hoang. Furthermore, Cat Tien’s sexiness reading and Cadillac’s soulful background vocals enhances the experience significantly. He rises and falls with full of passion on Nguyen Anh 9’s “Co Don.” Elsewhere, his deliveries are unblemished on Vinh Phuoc’s “Le Tinh Roi,” Vu Tuan Duc’s “Toi Khong Con Yeu Em,” Pham Duy’s “Duong Em Di,” and of course Trinh Cong Son’s “Tuoi Da Buon.”
While Dong Son gives a beautiful composition on Duc Huy’s “Nhu Da Dau Yeu,” Nguyen Khang could not bypassed Don Ho’s performance. Though his version is not bad, Don Ho injects so much soul into the work that it is hard for other singers to even come close to. “Lac Mat Mua Xuan” (a translated song by Lu Lien) is overrated. Too many singers covered it including Dam Vinh Hung. Though I must give credit to Duc Trinh for the nice beats.
Just from listening to these two albums, Nguyen Khang has definitely progressed himself. Within a short period, he has paved his own path for his singing career. Though he has made substantial accomplishments, there are still plenty of rooms for advancement. Let’s hope that he will continue to expand his artistic vision and push himself to a higher ground. Visualgui
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